Apple made a big deal of the iPhone 13 and 13 minis camera method – and not just owing it features the biggest sensor pixels yet on an iPhone.
More on that later but what veritably grabbed our observation from Apples introduction was video – or more specifically Cinematic mode which aims to recreate the ’rack centre’ technique used in Hollywood movies and TV shows. Put simply rack centre is the use of in-centre and out-of-centre areas of the image to direct the viewers eye; by shifting thin centre from one symbol to another or to an object a cinematographer can subtly lead the viewers observation.
Its an effect youd have struggled to generate on any iPhone to date but on the iPhone 13 its baked right in – and it works automatically shifting centre when it detects an on-screen face look away. You can also control it manually by tapping on the face or object you want to shift centre to in real-time. Oh and Cinematic mode also uses Dolby Vision HDR to lend more dynamic range and colour detail to your videos. We cant wait to give it a go and ’veritably make those Instagram Stories sing’ as Tim Cook might say.
The iPhone 13 Pro and Pro Max take things even further on the filmmaking front with extremely high-quality ProRes footage supported as well as the power to manually control the bokeh levels on video (using algorithms not optics – the bokeh effect is replicated digitally rather than achieved naturally by opening lens and interval).
The iPhone 13s camera has been given a expressive all-over boost now including sensor-shift optical image stabilisation and larger sensor pixels to boost low-light accomplishment by almost 50 percent in the wide camera. Both the ultra-wide and wide cameras stay 12MP but chasing ever-increasing megapixel counts has never been Apples phraseology. The companys access is rather to gradually build and consummate on the antecedent models camera – and thats why the iPhones camera is consistently one of the best smartphone snappers about.